After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant
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Palme d’Or at the 2018 Cannes Film Festival, Shoplifters – not necessarily Hirokazu Kore-eda’s most accomplished movie – has, if anything, the merit of having brought some attention to the marginalised and underprivileged of Japanese society. The social reality of
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